Fornasetti

Un like no identificado me llevó a visitar un perfil de Facebook donde estaba este extraño GIF animado inspirado en el trabajo del diseñador Piero Fornasetti, otro de esos artistas obsesivos que tanto me gustan, creador de un emporio de diseño en Italia y de la famosa serie de ilustraciones vintage (más de 350), con la cara de la soprano Lina Cavalieri.

Quizás a esa persona solo le gustó la carita, pero yo soy muuucho más curioso, lo que sin googlear demasiado me condujo a este increíble sitio de la marca de diseño Fornasetti (ahora admistrada por su hijo), con un excelente recorrido virtual por la vida y obra de este artista de principios de siglo pasado.

Gracias al desconocido por el regalo. Mi consejo para internet -y para la vida- es: naveguen amigos, naveguen mucho…

Piero Fornasetti (10 November 1913 – 9 October 1988) was an Italian painter, sculptor, interior decorator and engraver.

He lived most of life in Milan, attending the Brera Art Academy from 1930-32 when he was expelled for insubordination. During World War II, he went into exile in Switzerland from 1943-46. He created more than 11,000 items, many featuring the face of a woman, operatic soprano Lina Cavalieri, as a motif. Fornasetti found her face in a 19th-century magazine. “What inspired me to create more than 500 variations on the face of a woman?” asks Italian designer, Piero Fornasetti of himself. “I don’t know,” he admits, “I began to make them and I never stopped.” The “Tema e Variazioni” (theme and variation) plate series based on Cavalieri’s face numbered more than 350.

Other common features in his work include heavy use of black and white, the sun and time. His style is reminiscent of Greek and Roman architecture, by which he was heavily influenced.

Today it is most common to see Fornasetti’s style in fashion and room accessories such as scarves, ties, lamps, furniture, china plates and tables.

His son, Barnaba Fornasetti, continues to design in his father’s name…

http://bit.ly/1m8HBQv

Ratzinger

Los diseñadores Craig Redman y Karl Maier tienen un proyecto colaborativo a distancia (trabajando uno desde NY, y otro desde Londres): un agencia llamada Craig & Karl donde hacen varios experimentos gráficos, como esta exitosa serie de personalidades famosas retratadas con su particular estilo, como en esta imagen del papa Benedicto XVI (a.k.a. Ratzinger)

No les va nada mal, con exposiciones de su trabajo en museos de todo el mundo y proyectos de publicidad para marcas como Google, Nike, y Apple…

Bien por Craig y Karl…

These celebrity portraits by Craig Redman, of the graphic design duo Craig & Karl, prove just how ubiquitous some celebrity visages really are. The series, Guise and Protagonist, was designed for a joint exhibition in Ferrara and Milan. The subjects range from film icons like Michelangelo Antonioni and Woody Allen to sports stars like Lebron James…

http://bit.ly/1T6wXqB

Brandface

El diseñador gráfico Brian Wilson hace estas “caritas” creadas únicamente de logotipos y marcas famosas, lo que las hace raras y extrañamente familiares al mismo tiempo…

Brand New is a division of UnderConsideration. Its sole purpose is to chronicle and provide opinions on corporate and brand identity work. We cover redesigns and new designs of well-known products, companies, and organizations. Brand New is edited and 99% written by Armin Vit.The content is divided in three sections:

Reviewed, with full stories and opinions.
Noted, with the basic facts and minimal opinion.
Linked, with minor descriptions to outside sources….

http://bit.ly/1H9yXe0

Kleenex: Needs 3

Una reciente serie de prints en el sitio AOTW (Ads of the World) para la marca Kleenex, sugieren que los famosos pañuelos sirven para limpiar mocos, lágrimas y sí (había que aceptarlo algún día), también semen o cualquier otra secreción corporal.

Cuando vi este print para Kleenex, creí que no podía ser una publicidad oficial de la marca. Luego pensé: claro estamos en época de truchos. Así que sí lo es.

Una de esas piezas que una marca solo se atrevería a hacer para ver si gana algo (aunque sea un premio al atrevimiento)…

Advertising School: Saint Luc
Creative Director / Art Director: Julien Delerue

http://bit.ly/1FiZtkb

Every goat in the USA

Ya saben, actualmente existe información de cualquier cosa. Aquí hay un bonito gráfico que indica la población completa de cabras en E.U. Por si ocupan.

Baaaaaaaah…

There were 2,621,514 goats in the United States as of 2012, the year of the most recent USDA Agricultural Census. If America’s goats were their own state, its population would be larger than that of Wyoming, Vermont, D.C. and North Dakota – combined. This is what all those goats look like on a map…

http://wapo.st/1CnYo6Y

ilovecharts:

Literally every goat in the United States

ELZO

Aquí hay un ilustrador belga (Elzo Le Durt Du quartier) que hace una extraña fusión de pop-culture, arte antiguo y ciencias ocultas.
He visto muchos artistas gráficos que logran fusionar lo primero con lo segundo. Pero trabajar con el imaginario colectivo del ocultismo (símbolos de muerte, magia y brujería), y sin caer o en lo hippie-new age, o en el rollo Heavy Metal-, es algo que he visto poco y con resultados difícilmente tan buenos…

Su sitio está caído, pero su pagina de Flickr tiene bastante material…

http://bit.ly/1vmta8m

pixography:

Elzo Le Durt Du Quartier

Are infographics dead?

En este mundo decir que algo se populariza es equivalente a decir que se abarata. Los infográficos no son la excepción…

Infographics have long been the darling of the content marketing world. In fact, there was a time in the not too distant past when simply putting [INFOGRAPHIC] in your headline would yield more clicks. But that was back when infographics were a new medium. Even if the content wasn’t interesting, the form was. But those days are over and the shininess of infographics have worn off. I think it’s fair to say that if infographics were put on the Hype Cycle, we would be somewhere in the trough of disillusionment.  This is usually where most people hop off, and others ride it to greater opportunity.

The interest in infographics has flooded the market with producers and products. You can get them for $5 or even free using automated tools. Like most things though, you do get what you pay for. This is what separates those using infographics as a tactic and those using them as a strategy…

http://bit.ly/1tUrgi1

Are infographics dead?